Should you seek a singular piece of advice on how to commence your narrative, let this be it: refrain from introducing your antagonist first. I’m aware this may prompt protests from those who have crafted opening chapters spotlighting their villains. Heck, I’ve done it myself.
Might I not acknowledge that the antagonist’s initial endeavors can eclipse the protagonist’s in intrigue? Am I oblivious to the fact that the hero might be unaware of the villain’s existence at this juncture? Is it not apparent to me that the mundane reality of the protagonist pales in comparison to the allure of the antagonist’s sinister schemes?
Believe me, I comprehend the complexity of beginnings and recognize this as yet another hurdle to navigate. However, the challenges that arise from a narrative inauguration with the antagonist are particularly formidable.
Let’s delve into the primary issues:
- Introducing the incorrect character first: Engaging with a narrative is akin to the psychological phenomenon of imprinting. The initial character the audience meets tends to secure the most significant portion of their empathy. Readers are eager to connect with the characters; they’re predisposed to favor them. However, if we captivate our audience with the most reprehensible character, we jeopardize losing their empathy. Your protagonist is your narrative’s most potent lure. It’s a disservice to delay their introduction until a later stage.
- Delay in revealing the hero: At this point, you might feel compelled to highlight countless action films that commence with the antagonist’s perspective. It’s crucial to remember the inherent difference between the mediums of film and literature. Nonetheless, there are films which exemplify the pitfalls of this approach, such as Mimi Leder’s “The Peacemaker,” where the introduction of the heroes is delayed significantly, leading to audience disinterest. The inception of your story is not the opportune moment to test the patience of your readers. Prioritize bringing the protagonist into the spotlight without delay—if your narrative’s intrigue isn’t centered around them, it may be time for some introspective questioning.
Under no circumstances should the importance of your antagonist be underestimated; they are integral to your narrative, serving as the counterbalance to your hero’s endeavors. Yet, it’s essential to maintain focus on your core narrative driving force—your protagonist. Your audience’s expectations align with this perspective. Endeavor to meet these expectations from the outset.